Praise of the Saṅgha
SaṅghābhithutiThe morning chant in praise of the Saṅgha — the community of disciples who have practised well and seen the tr…
Ratanattayappaṇāmagāthā
Four verses bowing to the Buddha, the Dhamma and the Saṅgha in images, then dedicating the merit of that homage.
Chanted in the morning service after the three praises, running straight on into the passage on urgency that follows.
The metre is pleasant, so many temples chant it slowly in a melodic style. At home a plain recitation is perfectly fine.
The first three verses bow to each of the Three Gems using an image instead of a long explanation: the Buddha's compassion is like a great ocean, the Dhamma is like a lamp, and the Saṅgha is a field better than any other field. Images like these are easier to hold in mind while chanting than definitions are.
The fourth verse changes direction. It speaks of the merit produced by that act of homage and then wishes that obstacles may not befall the chanter. That is an aspiration, not a guarantee. What the chanting actually does is leave the mind softer and steadier at the start of the day.
These verses are not in the Tipiṭaka. They are an old composition belonging to the Thai morning liturgy, putting the praises of the Triple Gem found in the suttas into metrical form.
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The morning chant in praise of the Saṅgha — the community of disciples who have practised well and seen the tr…
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The morning chant in praise of the Dhamma, stressing that it is something you can see for yourself here and no…
The morning chant in praise of the Buddha: who he was, what he came to know, and how he taught it.